In the interest of social economical well-being, this article is addressed to senior corporate and educational administrators. It outlines the logic base upholding new technologies, a relevant funding model and new sustainable business administration development policies. These new commercial innovations are associated with the recent discovery that the previous classification of junk DNA is preventing healthy growth and development throughout the world.
The theories within the German book dealing with the non-linearity (fractal logic) reclassification of junk DNA, Vernetzte Intelligenz by Grazyna Fosar and Franz Bludorf have now been validated. The December 13th, 2013 issue of Science announced that scientists have discovered a second code hiding within DNA. The journal Science is the publication of the American Association of Science for the Advancement of Science and is one of the world's most highly recognised scientific journals.
This second code contains fractal logic information that changes how scientists read the instructions contained in DNA and interpret mutations, to make sense of health and disease. Scientists were stunned to discover that genomes use the genetic code to write two separate languages.One language is written on top of the other, which is why the second language remained hidden for so long. Prevailing quantum mechanical logic prohibits this concept to be associated with quantum biology. This is due to scientists having an incomplete understanding of the energies associated with the functioning of the second law of thermodynamics.
The 1937 Nobel Laureate in Medicine, Szent-Gyorgyi, translated this misunderstanding as a major obstacle to the application of first principle cancer research. The reason why quantum mechanics and its complex offspring cannot deduce the essential first cause principles of cancer growth and development can be explained. Quantum mechanics was derived from the assumption that Sir Isaac Newton held that first cause principles explained gravitational forces as belonging to the mass of objects in space. He rejected this concept within his 28th Query Discussions, published in the second edition of his journal, Opticks. Whether Newton was right or wrong, quantum mechanics was based upon a false assumption. Newton's mechanical description of the universe was completed by his more "natural and profound philosophy of science".
The linguistic colour perception treatise presented to the Great Darwinian debate in 1877 by Prime Minister William Gladstone, was researched in tandem with the colour perception theories of Wolfgang von Goethe. Their work anticipated both the newly discovered hidden language of junk DNA and its association with the evolutionary function of stereoscopic colour perception theory.
The Proceedings of the National Academy of Sciences of the United States of America vol. 101 no. 27, 2004, includes the paper Binocularity and brain evolution in primates, 'The first paragraph states: 'Primates are distinguished by frontally directed, highly convergent orbits, which are associated with stereoscopic vision. Although stereoscopic vision requires specialised neural mechanisms, its implications for brain evolution are unknown'. However, this is no longer the case.
In 2010 the Israeli physicist, Guy Deutscher, published his prize winning book of that year, entitled Through the Language Glass: Why the World Looks Different in Other Languages. His research pinpointed stereoscopic vision as an evolutionary phenomenon. This concept is now pivotal to a crucial new neuroscientific perspective. Artists around the world had been working on this colour perception theory for many years. In 2010 their research was fused into the emerging science of quantum biology by two chemists, recipients of the Giorgio Napolitano Medal awarded on behalf of the Republic of Italy for their quantum biology discoveries.
Immanuel Kant and Emmanuel Levinas' optical theories of ethical creativity in the form of asymmetrical electromagnetic lensing in the mind were instrumental in the emergence of the electromagnetic Golden Age of Danish Science. In 2002 Harvard University, Massachusetts University and the Royal Danish Consulate held an international symposium to bring to the attention of the world, the social importance of this Golden Age. They noted that as its research had been written mostly in Danish and not translated, it had become invisible to English speaking scholarship. Enlightened artists had developed Kant and Levinas's theories related to the evolution of stereoscopic vision. They discovered that linguistic colour perception theories could be visibly measurable as unconscious activity within the human brain.
The patent document accompanying asymmetrical electromagnetic stereo-vision glasses, noted that when used to view certain paintings by Vincent van Gogh and Paul Cezanne, they had unconsciously hidden such images in their work. By observing art work throughout the centuries from the perspective of linguistic colour perception, modern day artists were able to chart its evolutionary function. This knowledge can now be related to the recently discovered survival importance of junk DNA.
The warranted artistic liaison between economics, education and healthy growth and development as a function of a model for the funding of ethical science, can be outlined. Leading up to this, in 1993 the International Journal for the Arts, Sciences and Technology LEONARDO published a Model for the Self Funding of Ethical Science, derived from theories associated with linguistic colour perception.
In 2010 the Italian artist Robert Denti, represented in national art galleries and museums in Europe, realised that such a model could instigate the 21st Century Renaissance. He linked the aforementioned linguistic research by recipients of the 2010 Giorgio Napolitano Medal with the stereo-vision colour perception theory developed by enlightened artists. He was joined by artists throughout the world, including the American artist and science writer Iona Miller, and the Science-Artist Chris Degendardt in Australia. Aboriginal Elders in Australia, using traditional colour perception techniques inspired the Aboriginal artist, Roger Saunders, to establish a successful stereoscopic art school for children, given recognition by medical scientists conducting junk DNA research. In the light of the first cause principle subject matter contained in this article stereoscopic art exhibitions are warranted to generate public cancer research funding under the name of the 21st Century Renaissance.
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Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books/books.html
Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.
As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.